Here's a great kit from a sculptor with a low
profile and a high level of talent . . . "Bad Moon Rising" from Mark Kabbenhoft and
BTTG models. It really captures both the horror and the fantasy
qualities of the werewolf lore. Not only that, it is one big, heavy
kit and offers you a lot of serious drama for your shelf.
I first picked up this kit at Wonderfest in
2006. We did a review some time back, but my time and other
commitments made it a start and stop kind of affair until just recently.
The kit is about a foot tall and comes in 11 well cast pieces including a
three part mouth assembly that allows for painting separately, which is
nice.
The
first step is to clean and trim all the parts. There was a little
flash here and there, but nothing out of
the ordinary. In the picture below, you can see the mold lines, which
I am removing with a razor knife by scraping along the ridges of the fur to
hide it.
The kit is designed with a
lock and key fit for the main parts, so after a little test fitting and
trimming, I decided all it would need is some epoxy. Using a popsicle
stick, I mixed the two parts in the well of the body and put a little
CA glue around the edges to hold it while
the epoxy set up . . . which is about 3 minutes. After that, it holds
like a rock!
The next
thing to do is figure out a way to secure the werewolf to the base.
Actually, it is pretty simple. I decided to put in a post with my
favorite
pinning process. First I select a
nail that will serve to be our post and drill a hole in the base for the
nail to sit. I head off the nail and then drop a toothpick into the
hole and clip it off with just a little showing at the top (right).
Now, I put a little red paint on the exposed
part of the toothpick and line up the foot of the kit so it will rest
properly on the base and press down, leaving a nice red dot where I need to
drill my hole in the kit.
Then, simply drop the nail in the hole and
glue it in place, leaving about 1 inch showing.
Using
Aves
two part molding putty, I went after the
gaps where the parts come together. One cool feature that comes with
this kit is the molding tool supplied with it. It is a simple copper
wire with a sharpened point and a grip made of putty, but it is essentially
the same thing the artist used to create the fur, so it is really useful.
Just blend the two parts of the putty, roll
them into a small tube and press the strip of putty into the gaps.
Then, using the supplied tool (or a nail or tooth pick, or hobby knife . .
.) cut lines into the putty to match the fur details.
Most putty can be primed and painted even
before it has totally hardened, but you should wait a little.
At this
point, the kit is ready for a coat of primer (right). I just use cheap
Color Place primer most of the time. You want to lay down a few thin
layers in a well ventilated area (like outside!) Hold the can about 8
inches and move the can as you go. You should also assume that this
will reveal spots you need to trim and putty over . . . that is just the way
it is.
When the primer dries (best to
let it sit over night), it is time to block in the base coat. Starting
with two colors, Badger's Weathered Black (which is really dark gray), and
Badger's Fleshtone, I airbrush the base coat on with an Iwata HP-B at about
20 psi. I also decide to put in the base coat for the claws and eyes
with the airbrush using white at a much lower air pressure. (I go back
and cover the overspray with a light hand brushing of the proper colors.
You
probably have noticed the teeth and tongue are in as well. These were
sprayed and hand painted separately, then locked in place with
CA glue. They fit beautifully, but
you need to put in a thin layer of putty around the gum line. Using a
thin strip of putty, a little water to make it pliable and our cool
sculpting tool, I put it in place.
Once it set up a little, I hand paint a
little light gray for a primer and then follow that up with the same medium
flesh color of the mouth.
As far as the kit is concerned, the base work
is done and now it is time to turn to details--layering the paint, doing the
eyes and finishing off the claws.
What we want to do next is give the kit some
depth. Using Lifetone's Payne's Gray, I spray in a line of color in
the recesses of the muscles. Then, I
drybrush a light gray, FW Ink's light
gray, actually, all over the fur of the kit. Then, I seal it with
Testor's Dulcote.
You'll also notice
in the surrounding pictures that the ears and flesh are getting a little
darker and the nose and lips have changed color. That is because the
fleshy parts have gotten a light misting of Createx Transparent Light
Brown, as well as the areas around the fur edges and a few places on the
body. Also, I have thinned out a little of the same and given the
mouth a light wash to tone down the mouth and give it a sense of depth.
I am also working on the eyes at this
point. I sprayed in a light coat of Weyerhauser Yellow from Badger
to give the eye ball an eerie sclera and a little bit of a comic book
quality. I touched up around the lids and when it was dry, I put in
a circle of black paint followed by a slightly smaller circle of white
(above right). This forms the ring around the iris and lays a light
foundation for the iris itself. Then, I dot in the pupil.
I am a firm believer that werewolves need
red eyes. I got this using Tamiya's glossy transparent red and you
can see how it brings out the iris against that yellow and black.
When all that is done, I spray on a little Createx light brown transparent
around the edges of the toe nails and claws and coat the eyes and mouth
with Future Floor Wax a couple of times to give it a wet look.
We are getting close now . . . just one thing
left to do. The base.
First, I
sprayed the kit with FW Ink's Antelope Brown, which is kind of a mossy
brown. The gray primer on the rocks is not not quite enough, so it
got hit with Badger's Near Black, Weathered Black and Gargoyle Gray rather
randomly, but the darker colors were shot in the recesses. I also
sprayed Createx Transparent Gray and Transparent Light Brown in randomly
as well.
When this dried, I began to bring out the
highlights by drybrushing FW Inks light gray on the ridges as seen in the
picture to the right. The end results are seen below left.
Next I decided to apply some landscaping foam
from Woodland Scenics. I used to resist this, but I have gotten much
better at it.
First, mix up a solution of water and white glue . . .
about 1/3rd glue. Then apply it directly to the base. By the
way, the reason I paint the base before this is so that if any of the foam
eventually comes off, it will look natural.
Anyway, brush on the glue solution
everywhere except the rock outcroppings. It is best to do this in an
old box lid or on newspaper because this can get messy.
Next, load a small kitchen sieve with
various colors of Woodland Scenics foam. You want some variation,
including some dirt and rock colors, but I like the high green tones in
this case as the dominant color. Again they seem a little more
mystical. Tap the side of the sieve gently as you move across the
kit. This will filter it out naturally, as you can see in the top
picture.
In the picture beneath it, you will notice
a strange mist coming in from the right hand side. Any guesses?
Actually, it is common hairspray (Rave is
the brand . . . because it was super cheap). Anyway, hairspray is
basically glue. If you give the whole thing a serious coating of
hairspray, it will hold very nicely and tone down the colors a little as
well.
That brings us to the end of
this build up. It is a big kit and a good one for modelers to do to
practice basic techniques. You could do a lot with the fur of course
and the parts are nice and big, so you have room to experiment a little.
Now, if you don't feel like
experimenting and want someone to take the burden on, as always, we offer
a build up service . . . just
click here.
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